Fashion Trends 2004-2005
Colour is reborn making it the main
trend to follow in 2004 and 2005. Colour is back with a vengeance and autumn
2004 and winter and summer 2005 will see bright dramatic jewel colours vying for
attention in a multitude of materials and textures.
Fashion Colour Palette for 2004/2005
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Colours to choose from for 2004/2005 include:-
dusty
apricot, old gold, mustard yellow, honey, yellow gold, banana cream, topaze,
burnt ochre, camel, stone, sepia, peach,
orange, brown, bronze, chestnut, tobacco, wood tones, cocoa,
chocolate,
ballet pink, bright pink, rose, sugar pink, dusky pink,
hot fuchsia pink, coral,
chilli red, berry, scarlet pepper, garnet, bordeaux, burgundy,
beetroot,
Green is big, very big this season, and
there are so many shades to choose from that every skin tone can find a
green to suit them. Choose from lettuce, cucumber, eau de nil, avocado, asparagus,
clover green, kiwi, pea green, moss
green, leaf green, pistachio, olive green, parsley green, Kelly green, sage, mint, basil, bay, ivy, pine green, emerald, olive, jade, verdigris,
sea green to aquamarine,
washed out blue, ice blue, pale
blue, ecru, beige, blue, denim blue, sapphire
lilac, lavender, true purple, amethyst,
violet, aubergine, grape - purple and lavender will abound,
grey, charcoal and of course black, cream, oyster and
white, crystal white and ivory.
But the colour story does not stop there,
Metallic Colours are hot for Autumn 2004 and Winter 2005. Metallics and more metallics
will shimmer and shine on many diverse materials.
Copper leather and metallic leathers
will enhance skins. Coloured tights in copper and other
metallic tones will shimmer boldly and subtly and the choice to have this
lustrous sheen on materials, from fabrics to footwear will be yours.
You are reading an original fashion article written by
Pauline Weston Thomas© at
www.fashion-era.com ©
~
With fabrics there are 4 big stories. The
first is that printed pattern is back and the second is the use of
fur in a fresh way as a contrast against other fabrics from chiffon to satin
to suede to leather. Fake or real, both fur types will be popular. The third is that glorious
tweed fabrics and
textured fabrics made from woven ribbons, will add even more textural
interest when set against materials that are smooth like flannel.
Knobbly tweed jackets contrast with plain smooth trousers giving even more
attention to the tweed. Finally down filled or padded items,
especially functional parkas will be practical and fashionable.
Chiffon, organza, shimmering metallic lace,
satin, silks and crepes will all play their part.
Pattern will be everywhere. Paisley
and
geometrics will predominate. Blended checks, speckled materials and
colourful herringbones amid reversible two colour fabrics all make impact.
Imagine all the colours from a kaleidoscopic
pattern and visualize them on hosiery, dresses and knits and you have an
idea of how much pattern will be about in autumn 2004/winter 2005.
Graphic pop art prints amid floral prints, will sit happily
with the neutrals
as more and more individuals accept pattern and colour back into their life. Pucci prints have been
revisited and other prints that may emerge this autumn include
those with a natural feel using bamboo grasses, tiny florals and grape prints.
Texture is set against textures with knit against ribbons or tulle
against cashmere or velvet and fringe everywhere. Ribbon is threaded
through not only sweaters, but also skirts and there is a French technique
available now to produce a new material as a woven ribbon fabric.
Tweed comes in many forms, from the luscious
irregular 50's style Bernat Klein type yarn textures found in
Linton Tweeds used to
make clothes for top fashion houses like Chanel, to the regularity of
herringbone, Irish speckle tweeds to Scottish houndstooths.
Wrinkles, crimps, ruffles, fine pleating and
quilting are built into otherwise plain fabric structures.
Cosy angora sweaters with fur trims, oversized large
cardigans with contrasts of texture with threads of colourful ribbon, piping
trims and tipped edges, fur effect sweaters and fair isle masculine style
knits sum up knitwear for autumn 2004, winter 2005. Fur patches on
elbows to knitted-in tufts of fur and long thick mohair made to appear like
fur are some of the concepts that will appear in knitwear.
Knits, leathers and furs dominate for autumn
2004 and winter 2005. But look out too for tulle skirts, laser cut
leaves of leather trimming all sorts of garments and photo print and digital
print fabrics.
Tweeds with raw edges that fringe.
Tweed, tweed and more tweed was favoured by
Badgley Mischka, Donna Karan and Oscar de la Renta. Many tweeds shown
on the catwalk had
raw fringes and the fabric could be inset with jewel rhinestones.
Fur will be used everywhere with knit or fur with
leather, shaved fur, fur collars, fur bolero shrugs, fur tippets along with other animal
materials such as leather mixed with suede or natural cotton corduroy.
Political correctness and a genuine dislike
and boycott of the the use of animal products by some, has meant that fur
has been out of fashion so long, that designers have become unused to
working with it. However along with the new techniques discussed below
and other approaches such as dyeing fur multi colours, many are approaching
it with a newly found creative flair breaking old boundaries as they handle
what almost seems to some like a new material because it has been out of
fashion for 20 years or so.
Statistics suggest that fur sales in Britain
have increased by a quarter in the past year. The fur trade business is
now worth over £177 million per annum and the average fur wearer is aged 35
today. Fur is worn more subtly today rather than in the full length
mink or beaver coats of seasons past.
Typical usage is a simple trim on a hood or
wrap scarf and the fur might just as easily be rabbit as mink. In
addition fur became fashionable again when it was true vintage fur, where it
was a physical impossibility to have been in any position to protest about
the trapping of the fur if it was trapped so far back in history such as in
the Edwardian era.
Fish Scale Fur Technique
Many fur houses have now taken a fresh
approach to manipulating material which has produced highly innovative
ideas. One technical innovation is Saga's fish scale technique which
uses different fur types such as silver fox with mink to create a lightness
of texture with pattern and almost creates a new fur. Saga is a leader
in the fur world of fashion.
Laser Work
Add laser cutting to featherweight chiffon
and tulle fabrics, suedes and leathers and the versatile shapes and pattern
it can cut in these contrasting materials means that unusual combinations of textures will create fabric interest only
seen before in couture work. You are reading an original fashion
article written by
Pauline Weston Thomas© at
www.fashion-era.com ©
All these factors will add up to say winter 2005.
To Top of Page
For more information on women's and teens fashion trends go to:-
See Marks and Spencer New Spring Collections online
For related fashion information go to:-
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